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Learn More. Eliminate connectivity issues that drive complaints, outages, lost time and costs associated with reporting and delivering on SLA. Visualize, inspect, and control your apps from a simple desktop interface. Use Flipper as is or extend it using the plugin API. Flipper aims to be your number one companion for mobile app development on iOS and Android. Therefore, we provide a bunch of useful tools including a log viewer, interactive layout inspector, and network inspector.

Flipper is built as a platform. In addition to using the tools already included, you Make sure to only add the most essential effects, and I recommend focusing on the channel groups for your main insert effects.

I personally do the mastering inside the same project as I compose and produce my tracks. That is why I want to have the mastering chain already set up with the main effects added on the master stereo output. What effects you add here, and in what order, is very individual. However, the fundamental purpose of mastering is to shape the tone and character of the final sound, polish the EQ range, transients etc.

And finally shape the dynamics and loudness level. To give you some ideas for creating your own mastering effect chain, I will now share how I currently have mine setup:. Now, as a final tip I recommend keeping all the plugins on the master chain turned off when you compose and produce your track, and only turn them on while you are actually in the mastering stage. Because these plugins will otherwise steal CPU power, and even more importantly, your focus on the actual composition.

Now it is time for you to take action, and create your final mastering chain with all the effects on the master stereo output. Adding colors to your tracks and regions is a great way to keep things organized, and give you a clear overview of your project. I personally like to have a system for my color theme. Meaning I use the same kind of colors for the same kinds of tracks.

This way I can open up any project that I worked on, and instantly see all the bass parts, percussion parts, melody parts etc. What you choose as your color theme is of course completely up to you. But I recommend using your groups as the starting point.

And I also recommend going with your intuition. What color do you intuitively associate with drums? Use that color. And then you do this for each group in your master project template. Power Tip : You can also add variations of the main group color for the individual tracks inside each group. Naming your tracks and regions in a clear way, and using your own personal system for it, is also very important for a clear overview in any project you work on.

Personally I always use capital letters for the track names, because I want to be able to see them clearly on my retina screen.

I find the most essential things to include in the track name is the instrument type, plus a short description of the sound its and main purpose in the composition. Example 1: Cellos Ens Short Means the instrument type is cello, in an ensemble, and the main purpose is to play short notes. For example: staccato and spiccato articulations. Example 2: Violin Solo Theme The instrument type is a violin, in solo, and the main purpose is to play the main melodic theme.

For example: sustains and legato articulations. Example 3: Brass Ens Accents Means the instrument type is a full brass section, in an ensemble, and the main purpose is to play accents. Which means short note articulations with emphasis on the start, like marcato, stabs etc. The main point in creating your own naming system, is to come up with a way to describe any track in any project briefly and clearly to yourself. So that you instantly can understand what each track in your composition is all about.

Power Tip : If you want to get really fancy, you can even name the individual regions on a track. Personally I mostly leave the regions with the same name as the track they are on, but sometimes I add a region name to show something more specific about a particular performance. Now it is time for you to take action, and create your own naming system, in a way that suits your way of describing the tracks in your project. A great thing in Logic Pro X, is that you can customize your track headers in the sequencer.

There are many features to choose to add, or exclude from the track headers. Next you need to decide what you want to include. For example, do you really need a panning knob and volume fader on the track headers?

I personally use the track inspector and the mixer for making adjustments, so I have skipped those. However, I do use the freeze function a lot, so I want to have that button available in the track headers.

I also use track alternatives, so I have added that as well. Personally I like to keep the project layout as clean and minimal as possible, to avoid cluttering the workspace. I want to focus on the most important aspects of the music composition, and the features I mainly use. But you have to make these choices for your personal workflow.

For example, some of the things I have decided to skip are track numbers and track color bars, because I simply think they take up screen estate and clutter my interface.

Btw, colors are still used on the tracks, but instead of showing them as bars in the track headers you will get them when you record a new part on the track itself.

Power Tip : When you have created a setting that you really like, you can actually save it as your default track headers setting.

This way you can call it up in another project in case you did not start that project from your master project template.

Go ahead and setup your personal favorite track headers customization, and I also recommend saving it when you are done. What features and buttons you choose to include in the top control bar is very much dependent on your personal preference and workflow. That is why I strongly recommend you to set it up and save it with your master project template. Because this way, every time you start a new project, you will have a control bar set up exactly as you want it.

Personally I want to have all the view mode buttons accessible from the control bar, even though I mainly use key commands to open and close them. It makes it clear which view modes are open and active. I have a very minimal transport section in the control bar, with only the essential buttons. Here I have added everything. In fact, these features in the display area are probably most important to me as a composer. I want instant feedback on everything in my project. Educational content like tutorials is exempt from this rule.

Using bit and other plugins with Logic X and Logic 9. Aligning regions: One track snaps to , the other snaps to Constant System Overloads!? Using an iPad: Full Interface Control. Use of this site constitutes acceptance of our User Agreement and Privacy Policy. All rights reserved. Want to join? Log in or sign up in seconds. When you turn off Flex and Follow, all of your time and pitch corrections disappear.

I just want to use flex. Nothing can fix this. I have been looking in Apple Forums and trying to find a solution for about a week now.

The artifacts that now happen when using flex are so bad the audio almost becomes unusable. Toggle navigation Pcmacstore. Features and Description. Have a nice day! More apps by Apple.


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